Byrd’s-Eye View
A classic California Midcentury ranch gets a respectful refresh by designer Mark Langos.
It’s not often that a house is too much of a good thing. Usually, it’s quite the opposite. The kitchen is cramped, there’s no en suite. But when L.A.-based Mark Langos took on this Robert Byrd–designed ranch in in the hills of Sherman Oaks, its assets—large proportions, voluminous spaces and strong architecture—required expert management. “These can prove problematic in creating distinct living spaces,” says Langos. “The original living room never felt defined, more of a transitionary space between entry, dining room, kitchen, hall and family room. We decided to swap the locations of the living room and former playroom to transform this hub of the house into a lounge, the perfect gathering spot.”
Byrd, who was not a trained architect, began designing homes in California in the 1920s and was active throughout the 1970s. Noting that his houses—characterized by a distinctive play of brick, stone and wood—“are not for the faint of heart,” Langos made of point of respecting original features, such as the massive stone fireplace that opens to three different spaces, while bringing his own touch to the home. “As we moved through the property, remodeling and creating new spaces, we continually acknowledged that we were working in a Byrd house,” says Langos. “We have modernized, pared down, and restructured, all the while remaining consistent with much of the language and materials— solid hickory wood pegged floors, Texas flagstone, Douglas fir beams, bronze—of the original house. That being said, we did not hesitate to stand up to the architecture by including more contemporary furnishings, lighting fixtures, and artworks.”
“We worked a long time on specs and finishes, because we wanted the kitchen to look as if it had always been there”
Outfitting the house, Langos adhered to a monochromatic color scheme, but went rich in his range of materials—velvet, leather, mohair, corduroy, linen, and bouclé—and bold in his furniture selections. In the newly created lounge, where a shadow-like image created by artist James Mobley spans one wall, an arcing wall sconce by Gregorius Pineo hovers over a quartet of swivel easy chairs. Variety reigns in the living room, with Jonathan Amar lamps, antique curule stools, a Holly Hunt sofa covered in Rose Uniacke velvet, and a turned-leg coffee table with limestone insets, designed by Langos.
Langos collaborated with Caren Rideau, founder and principal of Kitchen Design Group in Pacific Palisades, to elevate the ever-essential hospitality component of the home. “We worked a long time on specs and finishes, because we wanted the kitchen to look as if it had always been there,” says Rideau, who has been creating bespoke kitchens for over 30 years. Set beneath a pitched ceiling, the kitchen is centered by a table-like island, paired with beached walnut stools, and framed in bleached white-oak cabinetry topped with Monte Carlo quartzite. Like the kitchen, the adjacent larder—set behind a glass-and-metal door from Metal Window Corp—features custom cabinetry finished in steely blue green.
“As we moved through the property…we continually acknowledged that we were working in a Byrd house”
The home has been reimagined several times over the years and this latest iteration brings with it a brand-new guesthouse, a hefty stone structure with a large porch that can be closed off with La Cantina slide away doors for year-round enjoyment. The living room faces the pool and offers a clear view of the San Gabriel Mountains in the far distance. “Although the guest-house is newly constructed, we kept the dialogue consistent with the materials and finishes used in the main house so it wouldn’t feel out of place,” notes Langos. “We worked with architect Scott Joyce to configure a spacious living room, full kitchen, guest bedroom suite, Pilates studio, and changing room complete with a steam shower.”
Too much of a good thing? Not now.